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TIME: Almanac 1995
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<text id=93TT1496>
<title>
Apr. 19, 1993: Reviews:Books
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Apr. 19, 1993 Los Angeles
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS, Page 69
BOOKS
Boughten Boyhood
</hdr>
<body>
<p>By JOHN ELSON
</p>
<qt>
<l>TITLE: Theory Of War</l>
<l>AUTHOR: Joan Brady</l>
<l>PUBLISHER: Knopf; 257 Pages; $21</l>
</qt>
<p> THE BOTTOM LINE: A poignant novel explores slavery`s
destructive power.
</p>
<p> In Kansas after the Civil War, Negroes (to use the term of
the age) could no longer be enslaved, even surreptitiously.
White orphans and the children of destitute ex-soldiers,
however, were fair game. It was common practice for innocent
minors to be "bound out," or indentured, to hardscrabble
farmers, often by their own parents. They were deprived of hope,
happiness and the dreams of childhood until they died, escaped
or earned their freedom at 21. For many, the psychic scars of
servitude lasted till the grave.
</p>
<p> That is the factual background of this vivid historical
novel--part poignant biographical fiction, part raw frontier
epic. Like the author herself, a former ballet dancer and
granddaughter of a white slave, the narrator is an American
woman residing in Britain who returns home to learn the true
story of her grandfather, which he had recorded in coded
diaries. Jonathan Carrick had been a "boughten boy," indentured
when he was four for $15 to an ice-hearted tobacco farmer named
Alvah Stoke. Dickensian is too amiable a word for Jonathan's
ordeals. He slept on a dirt floor with the animals. He was
horsewhipped and chained after he tried to run away. One night
Alvah and a traveling salesman subdued Jonathan and with a
copper wrench pulled all his teeth, which could be sold abroad
for $2 each.
</p>
<p> "Just grow up as fast as you can," a storekeeper advised
Jonathan, and so he did, throttling the hatred that gave his
life meaning. He learned to read from his only possession, a
secondhand McGuffey's, and molded himself a crude set of false
teeth. At 16, he ran away to Denver and got a job as a railway
brakeman. He also made a friend, nicknamed College, whose family
in Maine welcomed Jonathan after their son's death. Jonathan
traveled the country in a vain search for his father--someone
to give him an anchor and a bloodline. In time he became a
circuit rider and a pioneer farmer. He married and sired
children. He neither forgot nor forgave the past. The novel`s
climax is a fatal, vengeful encounter with his boyhood nemesis,
Alvah Stoke's son George, who had become a U.S. Senator.
</p>
<p> The novel shifts easily and cinematically from present to
past. Some contemporary passages are a bit dutiful, but at her
best Brady writes with a poet's economy, evoking Jonathan's
chaotic century in brief detonations of imagery. Without
preachment, Theory of War says slavery involves more than the
loss of freedom. It also means life without illusion and a
lingering nightmare of anger that can pass from parent to child.
That "secret bond," as Brady calls it, may be the most terrible
consequence of America's greatest tragedy.
</p>
</body>
</article>
</text>